ARE Sofia. 2-6 June 2025 Synthetic Rewilding, between Nature and the Machine FilmEU Online Artistic Research Exhibition
What if rewilding wasn’t about going back – but going beyond?
For its second iteration, our Artistic Research Exhibition (ARE) takes place alongside the WIRE Summit. This exhibition is an important opportunity to share outcomes of artistic research from FilmEU and beyond. It highlights and showcases the impact of artistic research on cultural industries and society. Participating works have been selected through an open international call.
This exhibition invites you to delve into a nexus of artworks that explore the evolving relationships between living and synthetic systems – where nature and machine co-compose, rewire, and transform each other. Among others, the exhibition features an entanglement of human and non-human forms of life, exploration of death ecologies and urban nights, convergences of fictional narratives and documentary techniques. Across five experiential zones – Awareness → Immersion → Speculation → Collapse → Reflection – you are invited to drift, sense, and question. The veils, projections, and sonic textures throughout space are not walls but membranes – semi-permeable interfaces between bodies and data, memory and simulation, silence and signal. From endangered plants to algorithmic landscapes, from speculative ruins to glitching skies, Synthetic Rewilding reveals what it means to be alive, aware, and entangled.
Participants:
Xiaoyu Yang, Carlo de Gaetano, James Irwin, Hugo Barata and Ricardo Nunes, Paolo Patelli, Constanza Julia Bani, Marta Amorim, Ziyao Lin, Josh Wagner, Alexander Walmsley, Vincent Simon Thornhill, Gurkan Mihci, Iram Ghufran, Andrew Stiff, Agnes Meng, David Serra Navaro and Victor Flores
VR Experience: Cosmorama. The Great Virtual Show
The promise of a virtual journey has always been implicit in the narratives of cosmoramas. This experience of Virtual Reality evokes that long-standing aspiration, while also enabling the recreation of one of the most renowned cosmoramas in Lisbon: the Grand Optical Gallery by the Austrian Thomas Karl Andorfer. Originally, this is a ‘physically augmented Virtual Reality experience’, prepared for a specific space of the Portuguese Cinematheque. The physical space of the exhibition room has been modelled to enhance the realism of the virtual experience. Visitors can not only see, but also touch the walls and objects around them.
In the first part of this virtual experience, visitors are invited to look through six thematically organised lenses and select different cosmoramic scenes from a menu. The illusion of optical depth in these virtual lenses has been recreated using ‘depth maps’ generated by artificial intelligence algorithms.
Next, visitors can interact with a map that reveals the routes taken by the main cosmorama showmen who travelled across the Iberian Peninsula. Before concluding the experience, they are invited to observe and touch a miniature model of the Belém Tower—a typical feature of traditional cosmoramas—and to approach a window overlooking Lisbon’s Praça do Município, where they can witness the arrival of the royal family on a visit to the cosmorama.
Developed by: R&D Project Curiositas: Peeping Before Virtual Reality. A Media Archaeology of Immersion Through VR and the Iberian Cosmoramas 2022-2025
Early Visual Media Lab— CICANT, Lusófona University and IHA-Instituto de História da Arte, FCSH/IN2PAST, Universidade NOVA de Lisboa
This work is funded with national funds through FCT - Fundação para a Ciência e a Tecnologia, I.P., under the project PTDC/COM-OUT/4851/2021, DOI: https://doi.org/10.54499/PTDC/COM-OUT/4851/2021, the strategic projects UIDB/00417/2020,
https://doi.org/10.54499/UIDB/00417/2020, UIDB/05260/2020, https://doi.org/10.54499/UIDB/05260/2020, and LA/P/0132/2020, https://doi.org/10.54499/LA/P/0132/2020.
Synthetic Rewilding, between Nature and the Machine
FilmEU Online Artistic Research Exhibition
We stand at a pivotal moment in the history and the development of artistic research in Europe, when models of funding, supervision and assessment are under scrutiny. It is vital that we create a public space for displaying and debating artistic research outside the walls of academia.
In 2025, the ARE exhibition will bring to an international arena work that is currently hidden and out of the spotlight. In a hunt for what is peripheral, the aim is to bring visibility to that which lies hidden in academic departments, and to enrich the debate on artistic research. The variety of works on show reflects the wealth of cutting-edge approaches to artistic research in film, documentary, animation and media arts from across Europe. The exhibition offers the viewer a challenging journey, encompassing stories from stray alligators to lost families, hidden archives, fleeting memories, the realms of dreams and of sleep, and peripheral worlds covered in snow.
ARE 2023 Selection Committee
- Aleksandra Ianchenko
- Estonia
- Elena Trencheva
- Bulgaria
- Érica Faleiro Rodrigues
- Portugal
- Lina Kaminskaitė-Jančorienė
- Lithuania
- Lies Van de Vijver
- Belgium
- Martina Mullaney
- Ireland
- Per Kristensen
- Denmark
- Žofia Ščuroková
- Slovakia

















